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This volume presents the rich diversity of art informed by feminism. It exposes assumptions about gender, politicising the link between private and public, and stressing the specificity of art marked by gender, race, age and class.
- Sales Rank: #152628 in Books
- Published on: 2012-04-02
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x .63" w x 10.00" l, 2.26 pounds
- Binding: Paperback
- 204 pages
Amazon.com Review
No question about it, Art and Feminism is the basic reference book for feminist art. Part of Phaidon's excellent Themes and Movements series, it surveys three decades of a tumultuous history with a brief but inclusive essay, reproductions of works by 155 artists, and lengthy excerpts from groundbreaking texts by artists and theorists. The challenge posed by a movement that spans several artistic generations and includes many contentious players is ably met by essayist Peggy Phelan, professor of performance studies at New York University. She illuminates the intertwined workings of feminist politics and literary criticism, psychoanalysis, race and queer theory with clarity and a refreshing absence of doctrinaire pronouncements.
The illustrations are organized chronologically under sometimes quirky headings, beginning with "Too Much" (late-'60s performance pieces by such pioneering figures as Carolee Schneemann, Miriam Schapiro, Eva Hesse, Louise Bourgeois, and Yayoi Kusama). The final section, "Femmes de Siècle," contains work from the '90s by Coco Fusco, Kara Walker, Mona Hatoum, Jenny Saville, and others exploring "collective memories ... and traumas." Essays range from the raw invective of Valerie Solanas's "Scum Manifesto" (1967) to the reasoned arguments of Adrian Piper's "The Triple Negation of Colored Women Artists" (1990). While some may argue that the book could be more inclusive--it deals overwhelmingly with women artists who exhibit in major Western cultural centers--it offers an unparalleled breadth of reference. Irked by the perfect bodies of many feminist artists who use nudity in their work, I was struck by the poignancy and honesty of Hannah Wilke--a glamorous figure in '70s and '80s performance art--who chose to memorialize her bald, bloated self in photographs months before her untimely death from cancer in 1993. --Cathy Curtis
Review
"Art and Feminism is a handsome, meaty volume which provides an excellent overview or the influence of feminist theory and politics on four decades of art my women artists...The sheet heft of lavishly produced images will be indispensable to scholars, critics and artists."- Art Monthly
"Immensely important...a valuable resource."- Contemporary
"Long overdue...an indespensable read for everyone."- i-D
"Beautifully designed, it is the first fully illustrated, comprehensive survey of key feminist works and texts."- The Art Newspaper -- This text refers to an alternate Paperback edition.
About the Author
Helena Reckitt is an independent writer and arts organizer with a long-standing critical research interest in feminist art and theory. A former commissioning editor at Routledge, and head of talks at the Institute of Contemporary Arts, London, Reckitt was Curator at the Atlanta Contemporary Art Center, Georgia 2002-2005. She was co-editor, with Joel Oppenheimer, of Acting on AIDS: Sex, Drugs, and Politics (1998) and curated the exhibition 'Found Wanting' (Atlanta Contemporary Art Center, 2000). Peggy Phelan, a leading feminist theorist of contemporary art and performance, has written extensively on contemporary visual arts and performance from feminist pscyhoanalytic perspectives. Phelan taught in the Department of Performance Studies, Tisch School of the Arts, New York University from 1985 to 2002 and is currently the Ann O'Day Maples Chair in the Arts and Professor of Drama and English at Stanford University. She is the auhtor of Unmarked: The Politics of Performance (1993), Mourning Sex (1997) and co-editor of The Ends of Performance (1998). From 1997-99 Phelan was the recipient of a project fellowship from the Open Society Institute of the Soros Foundataion's Project on Death in America.
Most helpful customer reviews
12 of 13 people found the following review helpful.
Brilliant writing and art, beautiful book
By A Customer
I saw this book reviewed in Bust mag and am so glad I got a copy for myself. Peggy Phelan and Helena Reckitt have accomplished a "portable gallery" in this book--it is like seeing all of the works themselves, but with commentary that helps at every step of the way.
Peggy Phelan's introduction is great because she draws everything together in a way that I couldn't do on my own, and actually, I am amazed ANYONE could do it. Wow.
The book is expensive but worth it because otherwise you would have to buy about 100 books to try and do for yourself what they did here.
Peggy and Helena, and all the artists, YOU ROCK!!!
5 of 6 people found the following review helpful.
Excellent Survey and Document of Both Feminism and Art
By Jokie X Wilson
This book would be an excellent textbook for a Women In Art course. It doesn't have much information on centuries prior to the twentieth and largely focuses on art, artists, and issues from the 1960's on, so it wouldn't do as the only text for such a course. But this is all you need for late twentieth century concerns.
The early essays are dripping with Freudian psychology and psychoanalytical social criticism. The issues surrounding why it took so long for there to be a sense of equality of greatness amongst artists of all genders is explored deeply. The issues of representation of all races and sexual orientations then follows. The book stops just short of discussing the newest research on intersex persons (persons born with an extra chomosome, among others {XXY, for example}).
For a movement that was intending to create a sense of equality, feminist theory highlights both the vast differences as well as the profound similarities between the perception processes of men and women. This includes both the perceptions of and different approaches to art as well as life. Yet, when all is said and done, more recent artists are primarily interested not in these issues, but more a sense of having their work judged based on its quality, not their gender.
The only disappointment I have in this book is one that no other book addresses either. So, I mean this only as a minor criticism. In short, the book does not answer the following: Is ther an intersex mind state? Feminist theory either didn't reach the point of asking this in time for the extensive research put into this book or it has come to its conclusion and will transform gradually into a whole other movement.
The art chosen to represent the above ideas and explorations is top quality. The reproductions are sharp and colorful. I would recommend this book to anyone with interests in women in art or in feminist theory.
3 of 3 people found the following review helpful.
Art and Feminism
By A Customer
This book is a great "picture book" for anyone interested in art and/or women artist. The descriptions of the work are concise, giving enough information to make you want to investigate further. A necessary addition to any art book collection.
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