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For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, by Ntozake Shange
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From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp's Public Theater and on Broadway, the Obie Award-winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange's words reveal what it is to be of color and female in the twentieth century. First published in 1975 when it was praised by The New Yorker for "encompassing...every feeling and experience a woman has ever had," for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Here is the complete text, with stage directions, of a groundbreaking dramatic prose poem written in vivid and powerful language that resonates with unusual beauty in its fierce message to the world.
- Sales Rank: #13267 in Books
- Brand: Brand: Scribner
- Published on: 1997-09-01
- Released on: 1997-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .40" w x 5.50" l, .33 pounds
- Binding: Paperback
- 64 pages
- Used Book in Good Condition
Review
"Extraordinary and wonderful...Ntozake Shange writes with such exquisite care and beauty that anyone can relate to her message." -The New York Times
"Celebrates the capacity to master pain and betrayals with wit, sister-sharing, reckless daring, and flight and forgetfulness if necessary. She celebrates most of all women's loyalties to women." -Toni Cade Bambara, Ms. Magazine
"These poems and prose selections are...rich with the author's special voice: by turns bitter, funny, ironic, and savage; fiercely honest and personal." -New York Post
"Ntozake Shange's extraordinary "choreopoem"...is a dramatic elegy for black women with an undercurrent message for everyone. Its theme is not sorrow...but courage. Its strength is its passion and its reality....An unforgettable collage of one woman's view of the women of her race, facing everything from rape to unrequited love....Wisdom and naivete go hand in hand. Wounds and dream intermingle; strong passions melt into simple courage." -L.I. Press/Newhouse Newspapers
About the Author
Ntozake Shange, poet, novelist, playwright, and performer, wrote the Broadway-produced and Obie Award-winning For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf. She has also written numerous works of fiction, including Sassafras, Cypress and Indigo, Betsy Brown, and Liliane.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
The stage is in darkness. Harsh music is heard as dim blue lights come up. One after another, seven women run onto the stage from each of the exits. They all freeze in postures of distress. The follow spot picks up the lady in brown. She comes to life and looks around at the other ladies. All of the others are still. She walks over to the lady in red and calls to her. The lady in red makes no response.
lady in brown
dark phrases of womanhood
of never havin been a girl
half-notes scattered
without rhythm/no tune
distraught laughter fallin
over a black girl's shoulder
it's funny/it's hysterical
the melody-less-ness of her dance
don't tell nobody don't tell a soul
she's dancin on beer cans & shingles
this must be the spook house
another song with no singers
lyrics/no voices
& interrupted solos
unseen performances
are we ghouls?
children of horror?
the joke?
don't tell nobody don't tell a soul
are we animals? have we gone crazy?
i can't hear anythin
but maddening screams
& the soft strains of death
& you promised me
you promised me...
somebody/anybody
sing a black girl's song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times
sing her song of life
she's been dead so long
closed in silence so long
she doesn't know the sound
of her own voice
her infinite beauty
she's half-notes scattered
without rhythm/no tune
sing her sighs
sing the song of her possibilities
sing a righteous gospel
let her be born
let her be born
& handled warmly.
lady in brown
i'm outside chicago
lady in yellow
i'm outside detroit
lady in purple
i'm outside houston
lady in red
i'm outside baltimore
lady in green
i'm outside san francisco
lady in blue
i'm outside manhattan
lady in orange
i'm outside st. louis
lady in brown
& this is for colored girls who have considered suicide
but moved to the ends of their own rainbows.
everyone
mama's little baby likes shortnin, shortnin,
mama's little baby likes shortnin bread
mama's little baby likes shortnin, shortnin,
mama's little baby likes shortnin bread
little sally walker, sittin in a saucer
rise, sally, rise, wipe your weepin eyes
an put your hands on your hips
an let your backbone slip
o, shake it to the east
o, shake it to the west
shake it to the one
that you like the best
lady in purple
you're it
As the lady in brown tags each of the other ladies they freeze. When each one has been tagged the lady in brown freezes. Immediately "Dancing in the Streets" by Martha and the Vandellas is heard. All of the ladies start to dance. The lady in green, the lady in blue, and the lady in yellow do the pony, the big boss line, the swim, and the nose dive. The other ladies dance in place.
lady in yellow
it was graduation nite & i waz the only virgin in the crowd
bobby mills martin jerome & sammy yates eddie jones & randi
all cousins
all the prettiest niggers in this factory town
carried me out wit em
in a deep black buick
smellin of thunderbird & ladies in heat
we rambled from camden to mount holly
laughin at the afternoon's speeches
& danglin our tassles from the rear view mirror
climbin different sorta project stairs
movin toward snappin beer cans &
GET IT GET IT THAT'S THE WAY TO DO IT MAMA
all mercer county graduated the same nite
cosmetology secretarial pre-college autoshop & business
all us movin from mama to what ever waz out there
that nite we raced a big ol truck from the barbeque stand
trying to tell him bout the party at jacqui's
where folks graduated last year waz waitin to hit it wid us
i got drunk & cdnt figure out
whose hand waz on my thigh/but it didn't matter
cuz these cousins martin eddie sammy jerome & bobby
waz my sweethearts alternately since the seventh grade
& everybody knew i always started cryin if somebody actually
tried to take advantage of me
at jacqui's
ulinda mason was stickin her mouth all out
while we tumbled out the buick
eddie jones waz her lickin stick
but i knew how to dance
it got soo hot
vincent ramos puked all in the punch
& harly jumped all in tico's face
cuz he was leavin for the navy in the mornin
hadda kick ass so we'd all remember how bad he waz
seems like sheila & marguerite waz fraid
to get their hair turnin back
so they laid up against the wall
lookin almost sexy
didnt wanna sweat
but me & my fellas
we waz dancin
since 1963 i'd won all kinda contests
wid the cousins at the POLICE ATHLETIC LEAGUE DANCES
all mercer county knew
any kin to martin yates cd turn somersaults
fore smokey robinson cd get a woman excited
The Dells singing "Stay" is heard
we danced
doin nasty ol tricks
The lady in yellow sings along with the Dells for a moment. The lady in orange and the lady in blue jump up and parody the lady in yellow and the Dells. The lady in yellow stares at them. They sit down.
doin nasty ol tricks i'd been thinkin since may
cuz graduation nite had to be hot
& i waz the only virgin
so i hadda make like my hips waz inta some business
that way everybody thot whoever was gettin it
was a older man cdnt run the streets wit youngsters
martin slipped his leg round my thigh
the dells bumped "stay"
up & down-up & down the new carver homes
WE WAZ GROWN
WE WAZ FINALLY GROWN
ulinda alla sudden went crazy
went over to eddie cursin & carryin on
tearin his skin wid her nails
the cousins tried to talk sense to her
tried to hold her arms
lissin bitch sammy went on
bobby whispered i shd go wit him
fore they go ta cuttin
fore the police arrived
we teetered silently thru the parkin lot
no un uhuh
we didn't know nothin bout no party
bobby started lookin at me
yeah
he started looking at me real strange
like i waz a woman or somethin/
started talkin real soft
in the backseat of that ol buick
WOW
by daybreak
i just cdnt stop grinnin.
The Dells singing "Stay" comes in and all of the ladies except the lady in blue join in and sing along.
lady in blue
you gave it up in a buick?
lady in yellow
yeh, and honey, it was wonderful.
lady in green
we used to do it all up in the dark
in the corners...
lady in blue
some niggah sweating all over you.
lady in red
it was good!
lady in blue
i never did like to grind.
lady in yellow
what other kind of dances are there?
lady in blue
mambo, bomba, merengue
when i waz sixteen i ran off to the south bronx
cuz i waz gonna meet up wit willie colon
& dance all the time
mamba bomba merengue
lady in yellow
do you speak spanish?
lady in blue
ol&$224;
my papa thot he was puerto rican & we wda been
cept we waz just reglar niggahs wit hints of spanish
so off i made it to this 36 hour marathon dance
con salsa con ricardo
'suggggggggggar' ray on southern blvd
next door to this fotografi place
jammed wit burial weddin & communion relics
next door to la real ideal genuine spanish barber
up up up up up stairs & stairs & lotsa hallway
wit my colored new jersey self
didn't know what anybody waz saying
cept if dancin waz proof of origin
i was jibarita herself that nite
& the next day
i kept smilin & right on steppin
if he cd lead i waz ready to dance
if he cdnt lead
i caught this attitude
i'd seen rosa do
& wd not be bothered
i waz twirlin hippin givin much quik feet
& bein a mute cute colored puerto rican
til saturday afternoon when the disc-jockey say
'SORRY FOLKS WILLIE COLON AINT GONNA MAKE IT TODAY'
& alla my niggah temper came outta control
& i wdnt dance wit nobody
& i talked english loud
& i love you more than i waz mad
uh huh uh huh
more than more than
when i discovered archie shepp & subtle blues
doncha know i wore out the magic of juju
heroically resistin being possessed
oooooooooooooh the sounds
sneakin in under age to slug's
to stare ata real 'artiste'
& every word outta imamu's mouth waz gospel
& if jesus cdnt play a horn like shepp
waznt no need for colored folks to bear no cross at all
& poem is my thank-you for music
& i love you more than poem
more than aureliano buendia loved macondo
more than hector lavoe loved himself
more than the lady loved gardenias
more than celia loves cuba or graciela loves el son
more than the flamingoes shoo-do-n-doo-wah love bein pretty
oyeè neégro
te amo mas que te amo mas que
when you play
yr flute
everyone (very softly)
te amo mas que te amo mas que
lady in red
without any assistance or guidance from you
i have loved you assiduously for 8 months 2 wks & a day
i have been stood up four times
i've left 7 packages on yr doorstep
Copyright © 1975, 1976, 1977 by Ntozake Shange
Most helpful customer reviews
0 of 0 people found the following review helpful.
It's a play, it's a poem, it's a view of how many black women see themselves
By gmcw
I've never read anything like this book. It's a poem, it's a play, it is view of how black women see themselves and what their lives are like. It was interesting and a good read. I think it will be a book I will want to read again because it was too dense for me to get much out of it on the first reading.
Which is why I bought this copy. The book I read originally belonged to the local library.
1 of 1 people found the following review helpful.
OMG
By Victoria Bowden
Where do I begin?! This is an amazing screenplay/book. Read in one sitting but I reference it all the time. Everyone should submerge themselves in this work of art.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
It gives a vivid depiction of the lives of these women. I found myself knowing and empathizing with them.
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